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Uzak Şehir Still Rules Turkish Prime Time: Top 10 Most-Watched TV Dramas (October 27 – November 2, 2025)

November 4, 2025
Rashida Yasmeen
Box office Rating
DiziTrack Blog - Uzak Şehir Still Rules Turkish Prime Time: Top 10 Most-Watched TV Dramas (October 27 – November 2, 2025)
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🇹🇷 The State of Turkish Television in Late 2025

In an increasingly competitive media environment, Turkish prime-time television continues to be one of the most vibrant storytelling ecosystems in global entertainment. The week of October 27 – November 2, 2025, delivered a wave of surprises — from technical disruptions and schedule reshuffles to unexpected rating climbs that signal shifts in audience behavior.

According to data from TİAK (Television Audience Measurement Committee), meticulously compiled by media researcher Burak Sakar, the top-performing series once again came from Kanal D, which extended its ratings dominance despite market volatility.

This week’s numbers reveal not only which shows are winning the viewership race but also how Turkey’s television industry remains a cultural powerhouse with increasing global reach through platforms such as Netflix, TRT İzle, and BluTV.

Top 10 Most-Watched Turkish TV Dramas (Prime Time 20+ ABC1)

(Based on Burak Sakar’s compilation of TİAK data for October 27 – November 2, 2025)

RankSeriesSeason & EpisodeRatingNetwork
1Uzak ŞehirS02 – Ep3515.40Kanal D
2Eşref RüyaS02 – Ep209.69Kanal D
3Taşacak Bu DenizS01 – Ep048.56TRT 1
4Güller ve GünahlarS01 – Ep047.18Kanal D
5VeliahtS01 – Ep086.48Show TV
6TeşkilatS06 – Ep1556.05TRT 1
7Kızılcık ŞerbetiS04 – Ep1115.94Show TV
8Halef: Köklerin ÇağrısıS01 – Ep075.53Now TV
9Mehmed Fetihler SultanıS03 – Ep565.09TRT 1
10Gönül DağıS06 – Ep1915.04TRT 1

1. Uzak Şehir: The Unshakable Giant

Even in the face of an earthquake and broadcast signal interruptions, Kanal D’s record-breaking drama Uzak Şehir (translated as Distant City) proved why it remains the beating heart of Turkish prime time.

The series scored 12.85 rating points, a minor dip of over two points, yet still enough to secure first place by a massive margin. Its blend of psychological realism, rural melancholy, and sweeping romance continues to resonate across demographics.

Media analysts suggest Uzak Şehir’s endurance demonstrates the “emotional resilience of Turkish storytelling,” especially when audiences seek stability amid external uncertainty.

“When reality becomes turbulent, people return to the stories that reflect both their pain and their hope,” says television critic Melis Akdoğan of TV Line Türkiye.

Internationally, Uzak Şehir is now in talks for syndication across the Middle East, Latin America, and Eastern Europe, echoing the global journey of predecessors like Diriliş: Ertuğrul and Magnificent Century.

2. Eşref Rüya: The Dream Reawakened

After a strategic mid-season refresh and a new director, Eşref Rüya jumped over one full rating point, climbing to 9.61 and reclaiming its status as the most talked-about melodrama of the season.

The series blends family intrigue with supernatural undertones — a genre hybrid rarely explored in Turkish television. Critics have praised its cinematography and the commanding performance of lead actress Sinem Koral, whose portrayal of a woman haunted by generational trauma has captivated social media audiences.

Kanal D’s decision to pair Eşref Rüya and Uzak Şehir in consecutive prime-time slots has paid off handsomely, turning Thursday nights into a ratings fortress for the network.

3. Taşacak Bu Deniz: A Rising Tidal Force

TRT 1’s maritime-themed drama Taşacak Bu Deniz (This Sea Shall Overflow) continues to expand its viewership footprint. Though it experienced a slight dip, it maintained a strong 9.24 rating, securing third place.

Set in a coastal village grappling with environmental change and human resilience, the show’s cinematic tone and moral themes align with TRT’s public-service ethos, reminiscent of BBC’s Poldark or Spain’s La Otra Mirada.

Its strong performance suggests a renewed appetite for socially conscious dramas that mix local authenticity with universal emotion — a valuable export formula for global streaming platforms.

4. Güller ve Günahlar: New Blossoms Amidst Competition

Despite airing during a major football derby, Kanal D’s new drama Güller ve Günahlar (Roses and Sins) grew to 6.37 ratings, proving that new titles can bloom even in crowded seasons.

Its blend of female friendship, betrayal, and small-town politics echoes Latin American telenovela traditions while maintaining the lush production values Turkish audiences expect.

Kanal D now boasts three series within the Top 5 — a commanding performance that further consolidates its leadership in domestic broadcasting.

5. Veliaht: The Comeback of Show TV

After losing ground due to a football broadcast, Show TV’s Veliaht (The Heir) rebounded impressively with 6.22 ratings, reclaiming Thursday night leadership.

The series, a lavish family saga exploring succession, loyalty, and greed, positions Show TV as the wild card network capable of challenging Kanal D’s dominance.

Its renewed momentum also signals a growing appetite for high-budget, prestige drama, similar to global hits like Succession and Yellowstone.

6. Teşkilat: The Enduring Strength of Spy Drama

Now in its sixth season, TRT 1’s flagship series Teşkilat (The Agency) continues to prove that patriotic thrillers can sustain multi-year dominance.

Earning 6.06 ratings, the series’ longevity rivals long-running Western franchises like NCIS or Homeland. Its depiction of Turkish intelligence operations combines procedural intrigue with emotional depth, maintaining a loyal viewer base both domestically and abroad.

Internationally, Teşkilat remains a cornerstone of Turkey’s soft-power television exports, reaching audiences across Central Asia and the Balkans.

7. Kızılcık Şerbeti: A Sweet Yet Bitter Legacy

The Cranberry Syrup, now in its fourth season, slipped slightly to 5.94 ratings but remains a social-media phenomenon.

Known for its depiction of Turkey’s urban-rural cultural divide, Kızılcık Şerbeti continues to fuel debates about gender, tradition, and modernity — making it as much a sociological mirror as a drama.

Its sustained success across streaming platforms like Now TV and YouTube highlights the hybrid consumption model shaping Turkey’s entertainment future.

8. Halef: Köklerin Çağrısı — A Mythological Experiment

Now TV’s Halef: Köklerin Çağrısı (The Call of Roots) remains one of 2025’s most daring new productions. With a 6.0 average, it’s a bold fusion of myth, family drama, and historical allegory.

Its modernist script, focused on ancestral identity and displacement, appeals to younger urban viewers increasingly drawn to high-concept storytelling.

Though not yet a ratings juggernaut, Halef is shaping the creative evolution of Turkish serials — where traditional melodrama meets philosophical narrative.

9. Mehmed Fetihler Sultanı: History Reimagined

TRT 1’s historical epic Mehmed Fetihler Sultanı (Mehmed: The Conqueror of Victories) rose modestly to 5.09 ratings, driven by an upswing in Tuesday viewership.

Its grand scale, political intrigue, and impressive battle sequences reaffirm TRT’s position as the guardian of historical drama — a genre that continues to define Turkish television identity on the world stage.

10. Gönül Dağı: The Heartland Never Sleeps

At six seasons strong, Gönül Dağı remains a cultural institution. Its 5.04 rating may not challenge the newer giants, but its emotional resonance with rural audiences is unmatched.

Much like Call the Midwife in the UK, the show’s enduring popularity stems from empathy, nostalgia, and community spirit, anchoring TRT 1’s weekend schedule.

Industry Analysis: What the Numbers Reveal

The 2025 autumn season highlights three major industry trends:

  • Network Consolidation: Kanal D dominates, but Show TV and TRT 1 are regaining balance through genre diversity.
  • Streaming Synergy: Hybrid viewing patterns show that episodes trending on YouTube or Now TV often correlate with higher live ratings.
  • Cultural Resilience: Even amid national disruptions — from weather events to sports — Turkish audiences prioritize emotionally rich, moral-centered storytelling.
  • Burak Sakar’s data demonstrates that Turkey’s drama ecosystem is no longer just national entertainment — it’s a global export industry worth billions.

According to Global Media Intelligence 2025 Report, Turkish series are now the second most exported TV content category worldwide, after American productions.

The Global Business of Turkish Dramas

From Santiago to Sarajevo, Turkish TV dramas have become cultural ambassadors. Networks like TRT, Kanal D International, and ATV Distribution have sold content to over 160 countries, generating both economic and diplomatic value.

Series such as Uzak Şehir and Teşkilat are being localized or dubbed into Spanish, Urdu, and Arabic, signaling Turkey’s rise as a creative hub in Eurasian storytelling.

  • Outbound collaborations are also increasing:
  • TRT co-produces with European public broadcasters,
  • Kanal D partners with Latin American streaming services,
  • and Netflix Türkiye invests in high-budget adaptations of literary works.

This internationalization not only boosts revenues but also strengthens Turkey’s cultural diplomacy — a form of soft power unmatched in its region.

Looking Ahead: The Future of Turkish Prime Time

With new premieres on the horizon, such as Ben Onun Annesiyim (Now TV) and Kuruluş Orhan (ATV), November is expected to bring further reshuffling in the Top 10 chart.

Yet the essence of Turkish television remains unchanged: emotion, endurance, and ensemble storytelling. The industry’s ability to merge tradition with modernity ensures that, from Istanbul to Jakarta, Turkish dramas will continue captivating audiences for years to come.

Source: TİAK, TRT1, Kanal D, Show TV, Now TV, ATV, Global Media Intelligence Report 2025., Dizitrack Box office Rating

About Author

Rashida Yasmeen

An international media analyst specializing in Turkish and global television trends. With expertise in drama storytelling, audience engagement, and cross-cultural media, she provides in-depth analysis and fresh perspectives on the evolving entertainment landscape for readers worldwide.